The Man From Y.E.T.I.

''The Man From Y.E.T.I.' was a 13-episode U.S. television show, originally airing September 1968 to February 1969. Often compared to The Prisoner, the show combined unexplained surreal situations and characters, paranoia, science-fiction, and action-adventure.

Opening Sequence
The opening sequence of The Man From Y.E.T.I. featured extended shots of Faraday running down vast hallways and leaping over obstacles, as well as struggling to free himself from a variety of traps. More than half of the footage used in the opening never appeared in the actual show: a car chase through a city, Faraday firing a gun point-blank at a man in a lab coat who explodes, and Faraday commandeering a helicopter, among many other scenes. The footage was accompanied by the show's memorable theme song, which primarily featured drums and flute, with a low growl building through much of it, climaxing in a euphoric roar as the song reaches full-swing.

Plot
The series follows a man, unnamed for much of the show but later identified as Faraday, as he explores an underground prison complex in which he is held. Every episode, he must complete a task or variety of tasks given to him by his captors, or face death.

Most episodes would begin with Faraday cautiously exploring a new area of the prison and nearly injuring himself in the process. Typically, a dog would emerge from out of view and begin speaking to Faraday in a robotic voice. The scene would then show a robot in a different location, controlling the dog's mind and speaking through it. The dog would give Faraday an unexplained task ("Defeat the Minotaur and reach the Heart of Wood," "Fill the Bottle," "Build an Airplane Engine") and then threaten him with various grisly deaths should he fail. Sometimes the task would turn out to be allegorical, but other times they must be literally completed (Faraday must actually construct an airplane engine or be dissolved in acid in one episode).

In addition to these tasks, Faraday constantly seeks a way to escape from the complex, often hatching elaborate plots to take advantage of new possible exits. Faraday will often make a fair amount of progress on a plan in a given episode, before a number of seemingly coincidental single events interlock to cause the ruin of his scheme.

As the series goes on, Faraday is exposed to a hallucinogenic gas with increasing frequency. While under the effects of the drug, he encounters a race of alligator-men who appear to be running the complex and preventing his escape. Although Faraday seems to catch glimpses of the alligator-men when not drugged, it is unclear whether they actually exist.

Another recurring event is the donning of a markedly low-quality parka or ghillie suit, which Faraday always finds in a sealed capsule mysteriously placed for him to find it, just before the climactic action sequence of an episode. This occurs nearly every episode, and neither the parka, the capsules, or the reason for wearing it are ever explained. Episodes typically end with Faraday still wearing the bizarre garment, but he never has it at the beginning of the following episode.

Episodes
Episode 9:  "Survive the Essence" The episode opens on Faraday, trapped in a small, poorly-lit room with rubble blocking the only exit. He tries several methods to escape, but soon tires and opens a packaged meal ration. After a few bites, Faraday passes out; through the use of the screen distortion employed when he is gassed, it is implied that he accidentally ingests a concentrated dose of the hallucinogenic drug, causing him to fall into a coma. While unconscious, he relives a number of scenes from previous episodes, but with the alligator-men now shown as being responsible for the failure of his escape attempts. Eventually, he experiences a number of alternate futures, before waking up in a sunny field of grass. Faraday, confused but seemingly free, wanders through the field, picks an apple from a tree and bites into it, and smiles. Suddenly, he freezes, his eyes locking on something out-of-frame; he sprints into the field, only to come up a previously unseen wall, painted to appear as the sky. Banging on the wall and yelling, Faraday finds a door and opens it, the camera holding on his terrified expression for long seconds before cutting to what he sees: the door opens into a large room typical of the complex, with a very high ceiling. Painted in enormous block letters on the wall facing Farday are the words: "THERE IS NOTHING ELSE"